Muriel Spark’s fictional recollection of the London publishing world in A Far Cry from Kensington is a meandering tale that tells us something about the ways in which young ladies in the 1950s acquired “a job in publishing”, lost it, and found another.
There are several astute observations, including reference to “the common fallacy which assumes that if a person is a good, vivacious talker he is bound to be a good writer”. Her first, subsequently bankrupt and imprisoned employer, “had another, special illusion: he felt that men and women of upper-class background and education were bound to have advantages of talent over writers of more modest origins”.
The narrator adds: “In 1954 quite a few bright publishers secretly believed this”. In 2018, many still do.
Muriel Spark, A Far Cry from Kensington, 1988